Snake Union | Bonnie Jones | Feminacci
SNAKE UNION is a Brooklyn based experimental electronic group consisting of Chuck Bettis (Die Trommel Fatale, Mossenek) and David Grant (Action Patrol, On A Clear Day). A duo that works in improvisational rhythmic explorations that match analog synths and digital sound processing, modular wires and max patches. By turns psychedelic, delicate, and fuzzed out, the sequenced collides with the freeform as these two soundmakers push into new realms. www.snakeunion.bandcamp.com
CHUCK BETTIS (electronics): was raised in the fertile harDCore soil, nourished within Baltimore's enigmatic avant garde gatherings, and currently blossoming in New York's downtown musical tribe. His unique blend of electronics and throat has led him into various collaborations with great musicians from around the globe. He has performed live with John Zorn, Fred Frith, Jamie Saft, and Afrirampo to name a few. Some of the musicians Bettis has recorded and played live with are as follows; Ikue Mori, Nautical Almanac, Audrey Chen, Yellow Swans, Toshio Kajiwara, Mick Barr, etc, plus a long history of punk bands he was in (most notably the experimental punk band Meta-matics as well as the enigmatic All Scars). Currently he is working on many of his experimental projects such as Snake Union with Dave Grant, Die Trommel Fatale with Brandon Seabrook/Marika Hughes/Eivind Opsvik/Henry Fraser/Dave Truet/Sam Ospovat, Mossenek with Mick Barr & Colin Marston, Chatterblip with Dafna Naphtali, and Pretty Clicks with Berangere Maximin, in addition to improvising, recording, or composing with an array of musicians from around the world. www.chuckbettis.com
DAVID GRANT (eurorack modular): is a designer and musician living and working in New York City. In his personal work, the imagery and sounds of an upbringing in the American south collide with the semantic overload of international urban life. Using with analog synthesizers, field recordings, and video processing, his work channels the spacious natural energy found in rurality, along with the numinous power of historical religious material. Through the use of stark visual contrast, open-ended sound composition, and a warm density of visual and sonic dirt, the artist generates an expansive atavistic state in the audience.
Bonnie Jones is a Korean-American improvising musician, poet, and performer working with electronic sound and text. She performs solo and in numerous collaborative music, film, and visual art projects. Bonnie’s work explores the fluidity and function of electronic noise (field recordings, circuit bending) and text (poetry, found, spoken, visual). Her art seeks opportunities within different mediums to expose the fluid nature of individual identity, history, form, and meaning.
Bonnie received her MFA at Bard College where she studied with Laetitia Sonami and Marina Rosenfeld. She has received commissions from the London ICA and Walters Art Museum and has presented her work extensively at institutions in the US, Mexico, Europe and Asia, including the LA MOCA, Museo Universitario Arte Contemporáneo, and REDCAT. Her collaborative sound works have been shown at the Swiss Institute, Whitney Museum, and Hunter College.
Feminacci: is classically trained violinist Elizabeth Nall's electronic project. She began to experiment with electronic sound and composition while involved in a collective founded by German composer, Herbert Brun, School for Designing a Society. In her studio practice today she uses technology to test the expectations of her musical ideas, exploring method in search of inspiration in the previously unheard. http://feminacci.org
Saturday, December 2, 2017 | 7:30 PM 10:30 PM | $6 - $10